Rendering is a performance exploring an imaginative figure produced by today’s
technologically mediated world. A human figure is transformed into an “object that feels”. This “feeling object” attempts to undo the dualisms such as subject and object, material and immaterial and living and nonliving.
Rendering is influenced by present online music cultures. In online platforms, users share feelings and represent emotions anonymously towards the tracks they listen to. Rendering considers such platforms as virtual utopian spaces in which users can connect to each other in an abstract level. Rendering embodies the objectified emotions generated by these spaces.

 

Bio

Mami Kang (Kobe, Japan) is a choreographer, dancer and performance maker

working in the expanded field of dance. She is currently enrolled in SNDO - School for New Dance Development in Amsterdam and is expected to graduate in June 2019.